Posts Tagged ‘puppet animation’

Fanimation – The Case for Animating Characters You Don’t Own

Wednesday, September 7th, 2011

This stop-motion recreation of the Jonny Quest opening is amazing.

Jonny Quest Opening Titles from Roger D. Evans on Vimeo.

The original version was great to begin with and Roger D. Evans’s loving tribute captures everything wonderful about it while playing to the strengths of the medium he’s working in. The characters, movements, and backgrounds are all reproduced with meticulous attention to detail, from the menacing walking eye to the slow, shambling gait of the mummy to Race Bannon’s flying kick as he rescues Jonny from a bad guy. But the three dimensional sets allow Evans to move the camera around and break free of the profile shots of characters moving straight across the screen that were necessary in a series that relied on cycles and limited animation.

Evans doesn’t own the rights to Jonny Quest. If Turner Broadcasting and Time Warner – who do own the rights – are smart, they’ll either commission him to do some work for them or make a deal to run the stop-motion intro on their spinoff channel Boomerang, which has been running mostly the same interstitial material since its debut. But unless this happens, Evans has no way of making money off of his labor of love, the making of which he shares on his website. Does that mean that this project, while a great treat for fans of the series and free publicity for the show, was a waste of time for Evans and his crew? Not at all. Animating someone else’s characters as a personal project can have great rewards.

What fanimation can do for you

Seven Amazing Animated Music Videos

Wednesday, January 19th, 2011

Music videos have long been a great showcase for all kinds of animation. The main task of a music video is to sell the song through eye-catching visuals, and what’s more eye-catching than animation set to music, especially in a sea of live-action footage of bands performing? As their popularity and budgets grew, music videos became experimental short films designed for the general public, with animation playing a major role. Here are some of the finest animated music videos ever to grace the small screen.

Some of these songs contain language not suitable for all audiences. View at your own discretion.
Bring on the videos!

Wes Anderson’s Animated Acceptance Speech

Wednesday, January 20th, 2010



A new year means awards season is upon us once again. Pixar’s Up had a good night at the Golden Globes, taking home the prizes for Best Animated Feature Film and Best Original Score. But the film has plenty of competition for future awards from movies like the critically acclaimed Fantastic Mr. Fox, which recently earned director Wes Anderson a Special Filmmaking Achievement Award from the National Board of Review. Anderson decided to use his acceptance speech pay tribute to not only the people who made the film with him, but also the medium itself. I really like animation that imitates the awkward qualities of live conversation, so I really enjoyed this break from the acceptance speech norm.

Trivia Answers – The Other Captain Jack?

Tuesday, January 19th, 2010

A very familiar ghost pirate

The winner of last week’s trivia contest is Supermorff. The interloper in James and the Giant Peach is none other than star of The Nightmare Before Christmas Jack Skellington. Sort of. The costume and beard may be new, but the head is clearly Jack. To further drive the point home, upon discovering the unfortunate pirate captain, the Centipede comments “A skellington?” And if that wasn’t enough, his very next line, when he spots the compass which the crew of the good ship Giant Peach require to get their journey back on track, is “Jackpot!”

Check out this week’s trivia challenge at the end of the latest article.

Lost Animation – James and the Giant Peach

Tuesday, January 12th, 2010

Congratulations to our latest trivia contest winner asatira, who gave both the correct name of Louie the alligator’s band in The Princess and the Frog and its connection to Disney history. “The Firefly Five Plus Lou” is a play on The Firehouse Five Plus Two, a Dixieland jazz band whose members were also Disney Studios employees including famed animators Ward Kimball and Frank Thomas. The band has made a few cameo appearances in various cartoons and behind-the-scenes films, but this nod struck me as particularly sweet and appropriate.

Check out the latest trivia contest following the article.

James and his bug friends

After seeing Fantastic Mr. Fox, I started thinking about the other Roald Dahl book that was adapted into a puppet animation film. Released three years after the groundbreaking Nightmare Before Christmas, James and the Giant Peach was director Henry Selick’s second film. Unlike its predecessor, the film was not a financial success and has largely been forgotten since its release. I remembered seeing the movie in theaters, but not since, and looked forward to seeing how the film held up. The answer is “quite well,” though it does have a weakness almost as big as the titular peach which may have been what caused the film to fall into obscurity.

The peach takes flight behind the cut.

Thoughts on “Fantastic Mr. Fox”

Tuesday, December 22nd, 2009

Mr. Fox

This is a film I’d been waiting for see for a long time. I don’t have and particular attachment to the Roald Dahl book it’s based on, which I vaguely remember as being mostly lengthy descriptions of how Mr. Fox goes about outwitting the farmers. But my husband loves the films of Wes Anderson, who was attached to Fantastic Mr. Fox early on. I was curious to see how Anderson would handle his first animated film and was looking forward to more puppet animation from Henry Selick, director of The Nightmare Before Christmas. The movie spent several years in development, surviving both the closing of its production company and Selick leaving to direct Coraline. For a while, I worried that it would be permanently stuck in development hell. But now its out in theaters and I’ve had a chance to see it.

My thoughts on Mr. Fox under the cut.