Posts Tagged ‘hand-drawn animation’

State of Animation – Is Anime Still Special?

Tuesday, August 17th, 2010

Tetsuo from Akira

I have a question for you, dear readers. It’s actually a question that my husband came up with. We were in the middle of watching the anime series Gurren Lagann. Gurren Lagann is a very enjoyable show, mixing high action, over the top giant robot battles with surprisingly engaging characters and involving stories. But the question that came up while we were watching it had more to do with anime in general. My husband commented on how anime – just about any anime – still felt special to him. I agreed that there was a particular thrill that I got from watching anime, different from the excitement I get from watching other kinds of animation.

A little background: when my husband and I were younger, Japanese animation was not readily available in the U.S. Some kid-friendly shows from Japan were being shown on American television, as had been the case for decades before. But such shows were few and far between. Fans looking for anime aimed at an older audience had limited options. A local Japanese import shop might have boasted a decent selection of videos. Regular video retail stores were a crapshoot. Videos, and later DVDs, usually had between two and three episodes of a show per tape or disc and cost around $30 each. Budding otaku were lucky to find a single row of anime videos at the video rental store, often indiscriminately labeled “Adults Only” whether the film in question was Akira or My Neighbor Totoro.

It’s a very different story today. Anime has won mainstream acceptance, thanks to the success of kid-friendly shows like – love it or hate it – Pokemon. Anime and anime-inspired shows remain staples of many networks’ children’s programming blocks. Some channels, most notably cartoon network with their Adult Swim block, show anime targeted towards older viewers. DVD rental websites like Netflix feature robust anime collections, as do sites like Amazon for those looking to buy. Anime is everywhere.

I’m not trying to portray myself as someone who liked anime “before it was cool” or define the time when I first discovered Japanese animation as “the good old days.” Far from it. I can remember the frustration of purchasing one of those $30 DVDs with only three episodes on it and only later discovering that one of the episodes was a clip show. I don’t long for the days when I had to purchase grainy VHS bootlegs of Miyazaki films because there was no other way to see them. (All have since been replaced with legitimate release DVDs.) I love that I can easily rent and view almost any anime series I desire from the comfort of my home, or go and see a film like Ponyo in theaters. Now is unquestionably a better time to be an anime fan than when I was first becoming interested in anime.

All that said, my husband and i couldn’t help but wonder if kids growing up with anime so readily available will regard it with the same excitement that we do. I think there’s still a part of us that thinks of anime as something new and different, maybe because we are rather picky and don’t watch that much of it. One generation’s cutting edge will inevitably become another’s boring mainstream. So anime becoming more accepted and less fringe is neither unexpected nor something to fight against. What I wonder is just where we are in that cycle. Do today’s kids still see anime as something new and different, or has it become what they expect to see on TV?

What do you think? How did you first discover anime and how do you see it today? Do you think anime has lost it’s newness and is ripe to be replaced by a different animation style? Or does it still have the power to thrill audiences like no other kind of animation?

The image is this article is copyright Pioneer Entertainment.

Great Sites – The Nostalgia Critic’s Animaniacs Tribute

Saturday, August 14th, 2010

I know I’m a little late in mentioning this, but if you haven’t seen it already, drop everything you’re doing and watch the Nostalgia Critic’s fantastic three-part tribute to Animaniacs

Upcoming Animation – Scott Pilgrim vs. The Animation

Tuesday, August 10th, 2010

I just finished and very much enjoyed Brian Lee O’Malley’s Scott Pilgrim graphic novels. I’m excited for the movie, but
there’s still a part of me that wishes it had been animated. With a few rare exceptions, I think animation is the ideal format for translating comics into film or television, especially when the original artwork is as distinctive and iconic as O’Malley’s. So I’m overjoyed to see that an animated Scott Pilgrim short is going to be airing on Cartoon Network’s Adult Swim block. Entitled Scott Pilgrim vs. The Animation, the short cartoon will air in two parts at 12:00 and 12:30 AM on Thursday, August 12. If you don’t have cable, don’t panic! The short will be made available on the Adult Swim website and Facebook page as well as the Scott Pilgrim movie Facebook page. I’ll be very surprised if the short doesn’t end up as a bonus feature on the DVD release, since it’s designed to help promote the movie and even features some of the movie cast doing voice work. But if you want to see it now or don’t want to risk missing it, you’ve got plenty of options.

The Bluth Factor: The Pebble and the Penguin

Tuesday, August 3rd, 2010

Hubie and Rocko

“The pebble had the better agent.” – my dad

Despite the above quote, no one in my family had ever seen The Pebble and the Penguin before now. Back in 1995 when the film came out, I was completely uninterested in Don Bluth’s animated films in particular (justifiably so) and non-Disney animated films in general (less justifiably). Just from the confusingly worded title and run-of-the-mill poster art, I could tell that this was not a movie that I wanted to see. In this case, my instincts were right on. The Pebble and the Penguin is a dull, confused, aggravating mess of a movie. I was set to call it the worst Don Bluth film I had ever seen, but as I read up on the film’s production, I felt hesitant to give Bluth all of the blame for a movie he had all but disowned.

A little background under the cut.

Why I Love Animation: My Favorite Moviegoing Experience

Tuesday, July 27th, 2010

Belle at the bookshelf

Thanks to Roger Ebert’s Twitter feed, I recently read a terrific article in which writers and filmmakers discuss their most memorable moviegoing experiences. Now this isn’t the same thing as writers and filmmakers discussing their favorite movies. Sometimes the key factor is a great movie, but other times it’s the audience, the theater itself, or some personal realization the viewer comes to while watching the film. Not all of the experiences are positive and in one case, the movie in question was truly awful. It was a fascinating read and it got me thinking about what my most memorable moviegoing experience was.

My moviegoing experiences, good and bad, after the cut.

Thoughts on “Waking Sleeping Beauty”

Tuesday, July 20th, 2010

I wanted to see Waking Sleeping Beauty from the moment I heard about it. A documentary about the revival of Disney animation in the 80s and 90s directed and narrated by the producer of several of the films from that time sounded right up my alley. I had hoped to go out to New York to see it, but the timing never worked out. So I was very happy to discover that the film was coming to my home state, specifically one town over from where I live.

My thoughts on the film under the cut

Nick Nadel Reviews “When the Wind Blows”

Friday, July 9th, 2010

My friend and fellow writer Nick Nadel has written a review of the obscure British film When the Wind Blows. I’ve never seen the film and it has yet to recieve a DVD release in the U.S., so I was interested to learn about this grim tale of an elderly couple faced with the aftermath of a nuclear bomb attack. Nick gives a good overview of the movie’s strengths and weaknesses, as well as it’s place in the pantheon of horribly depressing animated movies.

My Last Word On “The Last Airbender”

Tuesday, July 6th, 2010

I don’t think I would have been excited for The Last Airbender, the live-action film version of the animated TV series Avatar: The Last Airbender, even if I didn’t have serious concerns about the casting. I lost interest in M. Night Shyamalan‘s films after The Village. The initial teaser trailer didn’t get me excited and didn’t convey what made this concept special and different from any other martial arts movie out there. (My husband came up with the simultaneously brilliant and obvious idea that a live-action remake of the TV series opening should have been the teaser trailer.) On top of that, I just didn’t see the point. Avatar: The Last Airbender was already an amazing TV series. I didn’t – and still don’t – see what a live-action movie based on the TV series and covering the exact same material as the TV series in a much shorter time frame than the TV series could gope to accomplish. At best, it could have been a very faithful live-action reproduction of the TV show’s first season, something I have little interest in seeing. The point seems almost moot now, since the vast majority of critics have concluded that the movie is not very good.

But, as you almost certainly know by now, there is a casting controversy, centered around the fact that most of the main characters in a film based on a show steeped in Asian culture are played by Caucasian actors. It’s this fact that has dropped my attitude towards the film from “maybe I’ll rent it or watch it on cable” to “not interested at all.” I find this decision off-putting, disrespectful to the source material, and blatantly racist. Shyamalan, Paramount Pictures, and the film’s other defenders have been twisting themselves into knots trying to argue that this isn’t a whitewash. That if you take into account the secondary and background characters, the casting is actually quite diverse. That the show was set in a fantasy world where neither Europe nor Asia exist. That we live in a post-racial society and should be open to “colorblind casting” – a weaselly little term supposedly meaning that the film’s casting took only the skill of the actors into account and not the ethnicity or skin tone of the character in the source material, but that I have only heard applied to projects where – through some amazing coincidence – the “best actors for the job” all turn out to be White when the original characters were not. None of these arguments speak louder to me than do screenshots of Katara and Sokka – members of the Inuit-like Southern Water Tribe – compared with their live-action counterparts or Paramount’s own casting call for young actors to play Aang, specifying that they are looking for kids who are “Caucasian or any other ethnicity”.

My decision not to see this movie was greatly influenced by an essay on the subject by talented comics creator and fan of Avatar: The Last Airbender Derek Kirk Kim. It’s an excellent blend of point-by-point answer to all of the defenses of the film’s casting as well as a personal response to the issues it raises. Since then, I’ve read other pieces on the issue, including “FacePainting” – which puts the controversy into historical context and includes a lot of pictures comparing the animated characters to their live-action counterparts, and this comic on the subject by Gene Luen Yang.

So where do you stand? Has the casting controversy sapped your desire to see the film too? Are you still going to check it out, despite your qualms about the changes made? Have you seen it already? Could you care less about the race of the actors? Whatever your opinion, and whether you agree or disagree with mine, I want to hear it.

Sight Beyond Sight – Thoughts on the New “ThunderCats”

Tuesday, June 15th, 2010

ThunderCats, HO!

I’m sure you know by now that there is a new ThunderCats TV series in production. What’s surprising about this news is not that a new ThunderCats series is being made, but that it took this long for the show to be revisited. Nostalgia for all things 80s has been in full swing for at least the past decade. While ThunderCats may not have been the biggest phenomenon of its time, people still remember it, it does have a following, and the original series has been released on DVD. A new ThunderCats series could be really fun, if the creators understand what worked about the original.

What worked? Find out under the cut.

Short Takes – New Gorillaz Video

Tuesday, June 15th, 2010

Noodle comes prepared

I’ve been a Gorillaz fan since their debut album, as much for their videos as their music. So imagine my delight when I learned that “On Melancholy Hill,” the second video from their latest album Plastic Beach, was available on iTunes today.

Yes, I’ll pay a buck for a video that may well be available for free at a later date. I’m that excited.

I have yet to be disappointed by a Gorillaz video and “On Melancholy Hill” is no exception. This high seas adventure venturns the characters to their hand-drawn roots and sets them in a computer animated environment. If you’ve enjoyed past Gorillaz videos, you’re sure to like this one. If you’ve never checked out the animated band before, now is a good time to start.

Check out all the previous Gorillaz videos and a trailer for “On Melancholy Hill” on their YouTube page.

(Real article coming soon.)