http://inkandpixelclub.com/2011/07/friday-fun-link-chris-sanders-big-bear-aircraft-company/ where it's all about animation Tue, 02 Oct 2012 02:21:16 +0000 hourly 1 http://wordpress.org/?v=3.2.1 http://inkandpixelclub.com/2011/07/friday-fun-link-chris-sanders-big-bear-aircraft-company/comment-page-1/#comment-5154 Stu Thu, 16 Feb 2012 17:23:47 +0000 http://inkandpixelclub.com/?p=1490#comment-5154 Such a great article it was which Sanders also offers ideas that could lead to a better outcome small groups of artists and writers working together to develop projects with minimal management interference. In which Disney did have trouble evolving beyond what had worked in the past and was eventually overtaken by other studios. Thanks for sharing this article. Such a great article it was which Sanders also offers ideas that could lead to a better outcome small groups of artists and writers working together to develop projects with minimal management interference. In which Disney did have trouble evolving beyond what had worked in the past and was eventually overtaken by other studios. Thanks for sharing this article.

]]> http://inkandpixelclub.com/2011/07/friday-fun-link-chris-sanders-big-bear-aircraft-company/comment-page-1/#comment-4818 Nora Lumiere Mon, 05 Sep 2011 17:36:04 +0000 http://inkandpixelclub.com/?p=1490#comment-4818 Thanks for the lovely Chris Sanders "Big Bear memo". The drawings made me laugh out loud and marvel at the prototype for Stitch and Toothless. Disney always worked from storyboards (they invented them), a visual form of writing and when they began using "real" writers who not only had quite a bit of intellectual contempt for animation but also ignorance of the power of essential visual elements, there was bound to be trouble. Of course, animators and artists can be arrogant and difficult too, especially those who can write and draw and direct. :-) Thanks for the lovely Chris Sanders “Big Bear memo”. The drawings made me laugh out loud and marvel at the prototype for Stitch and Toothless.
Disney always worked from storyboards (they invented them), a visual form of writing and when they began using “real” writers who not only had quite a bit of intellectual contempt for animation but also ignorance of the power of essential visual elements, there was bound to be trouble. Of course, animators and artists can be arrogant and difficult too, especially those who can write and draw and direct.

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